this section celebrates traces that remain visible on a body of work.
no title – “la nuit ne viendra-t-elle jamais” s. beckett
no sunny day – on promenade des anglais, the movements of the parisiennes are told through the camera’s “open flash” which works as a sign of material – substantial, real, true, concrete or not.
no title – “de plus en plus mon langage m’apparaît comme un voile” (Beckett) ; the actors and public seem reduced or de-figurated through the camera’s “open flash” which works as a signifier – or de-signifier. xavier tchili, eric castex, sylvain martin, sebastien gorteau, thomas perino, zoe, compagnie corpsàparoles; en attendant godot@la guinguette
non finito – the movements of the Musée Rodin visitors are told through the camera’s “open flash” which works as a sign of material – substantial, real, true, concrete or not.
